22 October 2007
11 October 2007
At the gala pictured below, her floral design is more about instillation, working especially with colour and lighting.
Angling the flowers and repetition are also characteristic of her style as seen below.
4 October 2007
My favourite mail art project is Postsecret. People are encouraged to mail in their deepest secrets anonymously on postcards. Periodically, Postsecret takes these submissions and turns them into a book.
30 September 2007
24 September 2007
I made very little art during the summer, but instead made bracelets whenever I had some free time. Pictured below are two of my favourite bracelets. My bracelets are being sold at Capitol Clothing on Broadway.
I have recently fallen in love with French artist Fafi's work!! She has been featured in the last two issues of Nylon magazine. She started off as a graffiti artist, working her way into galleries and now her images are appearing on products for adidas and LeSportsac. She calls her work "girlie art", as the female characters or 'Fafinettes' she paints are extremely feminine and appear in an imaginary world of their own. Pictured below is one of her 'Fafinettes'.
This summer I read two books by Jonathan Safran Foer: Everything is Illuminated and Extremely Loud & Incredibly Close. Becoming a fan, I was interested in his inspiration and style of writing. Similar to his books, Safran's website, the project museum is both visual and non-linear. Foer uses unconventional methods for inspiration, asking participation in different projects. In one particular project, he asked readers to submit pencil-sketched self-portraits, which he later framed to examine at home. I heard one story where he was having writer's block and wrote to renowned authors asking for advise. Most replied with generic letters, but some replied in their own words. I found influence from this in Extremely Loud & Incredibly Close, where the main character, eccentric child Oskar Schell writes to many notorious people asking if he could work under them. In the first chapter, for example, he writes to Stephen Hawking asking if he could be his protege.
I have been looking for architects and designers that I really admire for their ability to incorporate and concentrate on nature and environment, in both the physical and designed context. Here are three that I have found so far:
Site Architecture, Art & Design
One of my favourite designs is their 2004 plan for a residential building in Mumbai, India. It is a multi-tiered structure with landscaping on each level, inspired by the Hanging Gardens of Babylon, including terraces and water features, and maintaining Vastu principles in historic Hindu architecture.
A-Z (Andrea Zittel)
Out of all their designs, A-Z 'Living Units' are my favourite, because of their minimalistic quality. It reminds me of the philosophy of tailoring space to humans' basic needs, similar to that of pioneer-architect Le Corbusier. To deal with housing shortages in urban Paris, Le Corbusier designed 'Immeubles Villas' in 1922 that...was such a project that called for large blocks of cell-like individual apartments stacked one on top of the other, with plans that included a living room, bedrooms, and kitchen, as well as a garden terrace.* Pictured below is an A-Z 'Living Unit'.
Inscape Architecture
For a long time, I have been infatuated with the idea of movable walls, mostly in the residential setting. Inscape Architecture has designed movable walls for the corporate setting. I love that they are glass and allow for natural light to diffuse, while still allowing for versatility in space and privacy needs. This simplicity of design reminds me of the exposed framework and the use of glass to enclose and define space of pioneer-architect Ludwig Mies van der Rohe. Pictured below is an example of Inscape's 'movable walls'.
Inscape Architecture is brilliant at designing office settings, keeping to clean lines and simplicity of materials, and working towards good use of space. Here is another example of their designs, a meeting area and space for filling and storage is pictured below.
*http://en.wikipedia.org/wiki/Le_Corbusier
17 June 2007
Rachelle Soucy’s Vanitas series uses non-traditional photographic methods, lush colours and intriguing symbolism. Emerging out of the darkened background are not only flowers, fruit and trinkets, but the artist herself. In a way, Rachelle’s work is a slick descendant of the “face-down-on-the-photocopier” self portraits most of us have enjoyed. But by using today’s scanner technology, she greatly magnifies hidden details such as wrinkles and pores on her skin and even miniscule insects which apparently were former tenants of the foliage.
While Rachelle credits Vancouver-based artist Evan Lee and British artist Helen Chadwick with the technical inspiration behind the work, even more interesting is her imagery which alludes to various artistic genres and literature. Rachelle captures the morbid symbolism of 16th and 17th Century vanitas still life paintings with wilting flowers, rotting grapes, and an hourglass. The artist herself projects lifelessness by keeping her eyes firmly shut. The vanitas theme reminds the viewer that pleasure is futile and death is inevitable. Despite their foreboding qualities, the images remain undeniably beautiful and hint at a sexual tension. Blushing flower petals rustle open, suggesting a naughty peek under a woman’s shirt, and the flushed skin, tousled hair and parted lips of the artist’s face could be simultaneously interpreted as either qualities of the vanitas theme or lusty indulgences.
I felt that the work’s technique and style could refer to Evergon’s exotic Ramboy series and the recent, collaged photographs of Gilbert and George. I was subsequently reminded of Ophelia, one of Shakespeare’s most tragic heroines, and her mad descent into a watery grave. Most importantly however are Rachelle’s allusions to Lewis Carroll’s Alice in Wonderland books. Tiny tea spoons, white roses, seashells, and the infamously tardy white rabbit all appear to be accompanying Alice as she tumbles endlessly down the rabbit hole.
Joseph Anderson
Here are the six works I had in the show - Vanitas series
My process is influenced by Vancouver-based artist Evan Lee. In Canadian Art magazine (winter 2006) there is an article on Evan Lee and his scanner pictures. He sets up still-lifes and uses his scanner as a means to photograph these still-lifes. The effects are somewhat reminiscent of 17th Century Dutch still-life paintings, with beautiful shadows. He uses dollar store trinkets, like tacky silk flowers and plastic bugs, making reference to symbols found in many 17th Century still-life paintings.
When I started working on my artwork for this show, I wanted to create self-portraits incorporating these symbols from 17th Century Dutch still-life paintings or 'vanitas' paintings. At first glance, 'vanitas' makes reference to vanity. I am capturing my youthfulness in the photograph, which could be seen as vain, there are other elements in play within the photograph. Typically 'vanitas' paintings are highly symbolic and are meant as a reminder of the transience of life, the futility of pleasure, and the certainty of death. And it is in these 'vanitas' symbols surrounding my face, like the decaying flowers, skulls, hourglass and seashells, which are meant to symbolize mortality and the passing of life. I am hoping that my photographs show both literally and symbolically like a snapshot in time.
My process of using my scanner as camera was first inspired by Evan Lee. He sets up still-lifes and uses his scanner as camera. I began by scanning objects and then my hands, hair and face. I gradually started experimenting with all the images I had scanned, by combining multiple scans to reveal a larger and more surreal image. By making multiple scans of the flowers, my face and hair, I was able to crop and fit images together to create larger and more dynamic self-portraits. Although the image does accurately capture in fine detail my wrinkles and badly bitten finger nails, I was also able to manipulate it in a way to emphasize other parts of myself, such as my hair. People commented on how long my hair was in some of the portraits, wanting to know if I had been wearing a wig, but it was really just a matter of piecing different scans together to make hyper-portraits of myself.
Rachelle Soucy
25 May 2007
12 May 2007
7 April 2007
What is most striking for me is that the print and embroidery seem to be more meaningful in her collections than the actual design of the clothing. The following picture is an example of embroidery on her clothing. Although the jacket is beautiful, it is overshadowed by the the bright embroidery. I do love how much colour she uses in her designs, and I love the playfulness of the prints she selects.
Another designer-team I love is Jovovich-Hawk. I especially like their collection from Fall/Winter 2005. It is so feminine and tom-boyish at the same time!
2 April 2007
26 March 2007
24 March 2007
23 March 2007
This summer, I am working in a collaboration to photograph fairytale narratives. I was trying to find images from Alice in Wonderland, and I came across Arthur Rackham. He illustrated a lot of fairytales, but my favourite illustrations of his are from Alice's Adventures in Wonderland. Some of these illustrations are pictured below.
12 March 2007
11 March 2007
I recently discovered Spanish photographer Eugenio Recuenco. He mainly photographs for fashion and advertising. He sets up these elaborate backdrops and then manipulates his photographs afterwards, which creates a cinematographic style to his work. I especially love these works of his, because they are very macabre. Below are some more of his recent photographs with fairytale narratives.